She can be found through her website and her Instagram page, Lory Ivey Alexander pictured in her studio in D.C. “& Profane,” 8 x 10 inches (Photo Courtesy of Lory Ivey Alexander)ĭuring the height of the pandemic and protests against police brutality, she began another project called “Black+Breathing,” which, according to their website, is about “the idea that communal trauma requires communal healing.” The concept is centered around therapeutic devices, whether it be through art or yoga, and finding strength in the resilience and love among the Black community.Ĭurrently, Ivey Alexander is preparing for an exhibit at the Caton Merchant Family Gallery in Manassas, Va., titled “Stories That End in Freedom.” According to the show’s website, it was inspired by “the fluidity and power of water” and how it has transported people all around over the centuries.The exhibit is scheduled to take place from the beginning of February to mid-March, and will feature her recent collages and paintings with the theme of Black and Indigenous perseverance and healing. And so I just wanted to give a platform for that,” she said. But it doesn’t mean that there aren’t millions of us out there making work. “I know that there are many, many women of color…and a very select few get press. Ivey Alexander is also the founder of Abstract Sisterhood, a platform that consists of both in-person collective and an online photo blog, showcasing the work of female abstract and conceptual artists, especially those of Black and Indigenous descent. “I’m showing the way that we function and the way that we interact with ourselves and with one another, sort of symbolically through the layers,” Ivey Alexander said. Those layers not only serve to show the depth of her identity, but also the relationships between people. “I didn’t really realize until later in the practice that I was literally trying to represent those layers,” she said. Her paper collage style is representative of this. Some of her more reflective work strives to emphasize the complexity and numerous layers in her family history and Black culture. “Untitled,” 22 inches x 30 inches (Photo Courtesy of Lory Ivey Alexander) She turns those shared stories into something visual, focusing on translating the numerous components of their experiences into different layers in her art. Her inspiration often comes from interviews and stories from her family members. Because I think that you always can change the orientation and see something new.” “That’s part of why I like to paint with circles, like on round canvases or round wood. “Every time you look at it, you see something different,” she said. Ivey Alexander loves to collect and create work that has many possibilities and a variety of perspectives. “I love color, and I think that especially like, against the white wall, I want to bring something that’s gonna make you like, stop in your tracks,” she said. Her work features a wide variety of colors, with her 2018-2019 collection “foremothers” being made almost exclusively of geometric shapes in contrasting hues. “I really will pick up any sort of object that I think is beautiful, or that I think is gonna give visual interest to a piece, and potentially include it,” she said. Ivey Alexander utilizes other mediums and techniques to create her work as well, including painting and stitching. “I want to make that story personal in a way that I feel like maybe it wasn’t before or couldn’t have been,” Ivey Alexander said, “And to try to tell the story of…the person that I see when I see that photograph.” “Alma’s Garden,” round acrylic and paper collage on wood, 36 inches (Photo Courtesy of Lory Ivey Alexander) She presents her own perspective through her art and usage of commercial cutouts. Now, she highlights Black women in her collages. As a woman of color, there were times where she could not see herself represented by models on pages. Ivey Alexander often uses cutouts from magazines in her collages and preserves the pictures’ unique origins in advertisements through her designs. Growing up around various advertisements and magazines developed her affinity for paper collage, a medium she used to create her 2020 series on Black masculinity, “it’s hard being a black man in America.” Ivey Alexander has been surrounded by art her whole life, as her parents were both graphic designers. Born and raised in Washington D.C., artist Lory Ivey Alexander creates vibrant abstract pieces of art through mixed media and explores the stories of the intersection between Black and Indigenous cultures.
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